Death and The Afterlife In Ancient Egypt
Pictures of Egyptian Mummies
In this gallery you can enjoy further selection of pictures of Egyptian mummies and related items. All mummy images are copyright of The Mummies Exhibition or Tutankhamun Exhibition in Dorchester UK.
In this gallery you can enjoy further selection of pictures of Egyptian mummies and related items. All mummy images are copyright of The Mummies Exhibition or Tutankhamun Exhibition in Dorchester UK.
The head the mummy of Tutankhamun. Seen in the background is the magnificent golden funeral mask of the boy King. The majority of the death masks were made of gilded cartonage, however some pharaohs have had solid gold masks made for them. Only two such examples have survived - that of Tutankhamun and Psusennes.
Mummy of Tutankhamun.
Golden Mummy mask of an unnamed princess of the Middle Kingdom around 1900 BCE. She wears a winged vulture headdress. This mask is a rare example of the gilded cartonage items of this period. It would be placed over the head of the bandaged mummy before being placed in the coffin. These pictures of Egyptian mummies is a short preview of what is displayed in our Exhibition.
Golden coffin of king Nebukheperre Inyotref VII. 17th dynasty, 1600 BCE. It is a rare type of rishi coffin, made of gilded and painted wood.
The British Museum of London, England, has the largest and most comprehensive collection of ancient Egyptian material outside of Cairo. Its spectacular collection consists of more than 100,000 objects. Displays include a gallery of monumental sculpture and the internationally famous collection of mummies and coffins.
Egyptian objects have formed part of the collections of the British Museum since its beginning. The original start of the Museum was to provide a home for objects left to the nation by Sir Hans Sloane when he died in 1753, about 150 of which were from Egypt.
European interest in Egypt began to grow in earnest after the invasion of Napoleon Bonaparte in 1798, particularly since Napoleon included scholars in his expedition who recorded a great deal about the ancient and mysterious country. After the British defeated the French in 1801, many antiquities which the French had collected were confiscated by the British Army and presented to the British Museum in the name of King George III in 1803. The most famous of these was the Rosetta Stone.
After Napoleon, Egypt came under the control of Mohammed Ali, who was determined to open the country to foreigners. As a result, European officials residing in Egypt began collecting antiquities. Britain's consul was Henry Salt, who amassed two collections which eventually formed an important core of the British Museum collection, and was supplemented by the purchase of a number of papyri.
Antiquities from excavations also came into the Museum in the later 1800's as a result of the work of the Egypt Exploration Fund (now Society). A major source of antiquities came from the efforts of E.A. Wallis Budge (Keeper 1886 -1924), who regularly visited Egypt and built up a wide-ranging collection of papyri and funerary material.
In May of 2003, the British Museum signed a landmark five-year collaborative agreement with the Bowers Museum of Santa Ana, California, to showcase its incredible collections and to provide a service to visitors and especially students who aren’t able to travel to Britain. In April 2005, the Bowers Museum thus presented "Mummies: Death and the Afterlife in Ancient Egypt" featuring a spectacular collection of 140 objects from the British Museum. For your enjoyment, The History Place presents a slide show highlighting 14 items from the Bowers Museum exhibition.
About Egyptian Mummies
Mummification seems to have its origins in the late Predynastic period (over 3000 BC) when specific parts of the body were wrapped, such as the face and hands. It has been suggested that the process developed to reproduce the desiccating (drying) effects of the hot dry sand on a body buried within it.
The best literary account of the mummification process is given by the Ancient Greek historian Herodotus, who says that the entire process took 70 days. The internal organs, apart from the heart and kidneys, were removed via a cut in the left side. The organs were dried and wrapped, and placed in canopic jars, or later replaced inside the body. The brain was removed, often through the nose, and discarded. Bags of natron or salt were packed both inside and outside the body, and left for forty days until all the moisture had been removed. The body was then cleansed with aromatic oils and resins and wrapped with bandages, often household linen torn into strips.
In recent times, scientific analysis of mummies, by X-rays, CT scans, endoscopy and other processes has revealed a wealth of information about how individuals lived and died. It has been possible to identify medical conditions such as lung cancer, osteoarthritis and tuberculosis, as well as parasitic disorders such as schistosomiasis (bilharzia).
Mummification
The earliest ancient Egyptians buried their dead in small pits in the desert. The heat and dryness of the sand dehydrated the bodies quickly, creating lifelike and natural 'mummies' as seen here.
Later, the ancient Egyptians began burying their dead in coffins to protect them from wild animals in the desert.
However, they realized that bodies placed in coffins decayed because they were not exposed to the hot, dry sand of the desert.
Over many centuries, the ancient Egyptians developed a method of preserving bodies so they would remain lifelike.
The process included embalming the bodies and wrapping them in strips of linen. Today, we call this process mummification.
Egyptian Amulets
Egyptian amulets (ornamental charms) were worn by both the living and the dead. Some protected the wearer against specific dangers and others endowed him or her with special characteristics, such as strength or fierceness.
Amulets were often in the shape of animals, plants, sacred objects, or hieroglyphic symbols. The combination of shape, color and material were important to the effectiveness of an amulet.
Papyri (Egyptian scrolls) show that amulets were used in medicine, often in conjunction with poultices (a medicated dressing, often applied hot) or other preparations, and the recitation of spells. Sometimes, the papyri on which the spells were written could also act as amulets, and were folded up and worn by the owner.
One of the most widely worn protective amulets was the wedjat eye: the restored eye of Horus. It was worn by the living, and often appeared on rings and as an element of necklaces. It was also placed on the body of the deceased during the mummification process to protect the incision through which the internal organs were removed.
Several of the spells in the Book of the Dead were intended to be spoken over specific amulets, which were then placed in particular places on the body of the deceased.
The scarab (beetle) was an important funerary amulet, associated with rebirth, and the heart scarab amulet prevented the heart from speaking out against the deceased.
Gods and Goddesses of Ancient Egypt
The ancient Egyptians believed in many different gods and goddesses -- each one with their own role to play in maintaining peace and harmony across the land.
Some gods and goddesses took part in creation, some brought the flood every year, some offered protection, and some took care of people after they died. Others were either local gods who represented towns, or minor gods who represented plants or animals.
Ancient Egyptians believed that it was important to recognize and worship these gods and goddesses so that life continued smoothly.
Egyptian Shabti Figures:
Servants in the Afterlife
Servants in the Afterlife
Shabti figures developed from the servant figures common in tombs of the Middle Kingdom (about 2040-1782 BC). They were shown as mummified like the deceased, with their own coffin, and were inscribed with a spell to provide food for their master or mistress in the afterlife.
From the New Kingdom (about 1550-1070 BC) onward, the deceased was expected to take part in the maintenance of the 'Field of Reeds,' where he or she would live for eternity. This meant undertaking agricultural labor, such as plowing, sowing, and reaping the crops.
The shabti figure became regarded as a servant figure that would carry out heavy work on behalf of the deceased. The figures were still mummiform (in the shape of mummies), but now held agricultural implements such as hoes. They were inscribed with a spell which made them answer when the deceased was called to work. The name 'shabti' means 'answerer.'
From the end of the New Kingdom, anyone who could afford to do so had a workman for every day of the year, complete with an overseer figure for each gang of ten laborers. This gave a total of 401 figures, though many individuals had several sets. These vast collections of figures were often of extremely poor quality, uninscribed and made of mud rather than the faience which had been popular in the New Kingdom.
MUMMY MASK
Cartonnage, painted and gilded
Late Ptolemaic Period or early Roman Period
Cartonnage, painted and gilded
Late Ptolemaic Period or early Roman Period
COFFIN OF A CHILD
Wood
Probably early Ptolemaic Period, about 300 BC
Infant mortality was high in ancient Egypt, and probably affected the families of the wealthy no less than those of the poor. During the pharaonic period relatively few children seem to have been buried with the full paraphernalia of mummification and elaborate coffins, probably because of the great expense this would have involved. In this instance, however, the child of a wealthy couple was sent into the afterlife with a finely carved wooden coffin. In its shape and proportions this small coffin resembles the full-size anthropoid sarcophagi of the Late Period and Ptolemaic Period. These were usually made of stone, and the present coffin is exceptional in that it's made of wood.Wood
Probably early Ptolemaic Period, about 300 BC
WOODEN MODEL FUNERARY BOAT
Sycamore fig wood
12th Dynasty, about 1900 BC
Sycamore fig wood
12th Dynasty, about 1900 BC
STELA OF BESENMUT
Sycamore fig wood, paint on plaster
Middle 26th Dynasty, about 600 BC
Sycamore fig wood, paint on plaster
Middle 26th Dynasty, about 600 BC
FIGURINE OF ISIS AND HORUS
Faience
Faience
30th Dynasty or early Ptolemaic Period, 4th-3rd Century BC
GOLD COBRA WEARING THE RED CROWN OF LOWER EGYPT
Sheet Gold
Late Period, after 600 BC
Sheet Gold
Late Period, after 600 BC
UPPER PART OF THE STATUE OF A MAN
Limestone
Mid 18th Dynasty, about 1500 BC
Limestone
Mid 18th Dynasty, about 1500 BC
WOODEN FOLDING STOOL
Wood inlaid with ivory, with leather seat
New Kingdom, probably 18th Dynasty , about 1500 BC
Wood inlaid with ivory, with leather seat
New Kingdom, probably 18th Dynasty , about 1500 BC
LARGE WEDJAT EYE, GLAZED COMPOSITION
Faience
Third Intermediate Period, 1069-525 BC
Faience
Third Intermediate Period, 1069-525 BC
UPPER PART OF A STATUE OF OSIRIS
Granodiorite
Ptolemaic Period, 305-30 BC
Ptolemaic Period, 305-30 BC
GOLD RING OF SHESHONQ
26th Dynasty, 6th Century BC
26th Dynasty, 6th Century BC
CORN MUMMY IN WOODEN COFFIN
Linen wrappings, wax, painted wood
Late Period, 664-305 BC
Linen wrappings, wax, painted wood
Late Period, 664-305 BC
SHABTI OF AMENWAHSU
Steatite
19th Dynasty, about 1295-1186 BC
In the later 18th Dynasty there was a move away from the fashion of depicting the dead as mummies and towards representing them as living beings dressed in formal clothes. This led to the creation of coffins, sarcophagi and shabtis in this form, although the more traditional shrouded image continued to be used at the same time. This shabti of the Overseer of the Granary, Amenwahsu, exemplifies this trend. He wears the curled double wig and the pleated kilt with prominent apron that were fashionable dress for high officials at the time. His arms and legs are free from the confining mummy-wrappings. He holds a hoe in each hand and has a grain-basket slung over his left shoulder.Steatite
19th Dynasty, about 1295-1186 BC
FACE OF A COFFIN
Wood, eyes of obsidian and ivory set in bronze sockets
18th Dynasty, c. 1400 BC or later
Wood, eyes of obsidian and ivory set in bronze sockets
18th Dynasty, c. 1400 BC or later
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